Tuesday, July 02, 2013

Pynch Me! Pynch Me Hard!

Warning: Long, meandering post.

...

After a relatively breezy two and half week study, NF is pleased to admit that he's done with Pynchon's Gravity's Rainbow - often claimed, by the hottest in literary criticism, like Harold Bloom and Steven Moore, to be probably the greatest American novel ever written. Frankly speaking, NF's a bit overwhelmed by what he's experienced, is still reeling under the influence of the thick, viscous spirits he's imbibed and will need perhaps more time to digest the big, fat book, but do indulge him a bit as he tries to navigate through the rather inchoate, vague and unfortunately, necessarily inarticulate rumblings regarding the weighty masterpiece.

Here's a little blurbish introduction to the plot (no spoilers, promise):

(By the way, NF found a fabulous, fabulous Picador cover art for the book which he's attaching here. If one image could summarize the book, this has got to be it!)

...

The stage is late WW2 and the allies can sniff victory around the corner. That doesn't mean that people aren't dying however. In fact, the recent bombardment of London by the newly devised V2 rockets is wreaking havoc not only on the physical integrity of the denizens of London but also on their psyche, since the supersonic speed of the rocket causes the sound of the rockets crashing into the environs to be heard after it unleashes heavy destruction on the ground. This apparent reversal of conventional cause and effect will be seen again and again in the (many, many more) pages to come. (Apparently, the technical term for this reversal is hysteron proteron.)

However, all hope is not lost, for a group of secret service men - officers and statisticians and biologists and doctors and seers and occultists are all there to help - and have in fact closed in on a rather funny phenomenon: the sexual conquests of a certain American lieutenant posted in London, Tyron Slothrop, when plotted on the map, are exactly the same as the impact site plots of V2 rockets on the London maps - only that the conquests have happened a little earlier than the rocket bombardment; and both of these phenomena follow the Poisson distribution! Which of course means that the best predictors (in the sense of Statistics) of rocket fall sites are the coordinates of Slothrop's latest adventures in seduction! (And of course, the converse would mean that if only the damned American not been so promiscuous, perhaps the citizens of London would've been spared the V2 destruction.) Hysteron proteron rears its ugly mug again!

Perhaps all this is a result of Pavlovian conditioning experiments done on Slothrop in his early childhood. Although the child was at the end, deconditioned; and all those memories have nary a trace left, perhaps a leftover residual of that early conditioning may be responsible for this weird phenomenon. If only there was a way to use this knowledge in an effective way...

(Interestingly enough, there were actual such conditioning experiments done on infants - one of them by the famous behavioralist John Watson! See Little Albert Experiment.)

Add to this rather zany plot, Operation Backfire, Operation Paperclip and the governments of the US, UK and the Soviet Union all scrambling to get their hands on the engineers and scientists who worked on the V2 rocket technology - not to try them or put them behind bars but to use them for building their own rocket propulsion systems which would prove more than handy in the impending to all but the blind, Cold War, the American government in particular, going so far as to erase the political histories of the Nazi scientists and whitewashing their anti-semitic, Nazi past - exactly opposite to what Tarantino's Basterds set out to do, their grisly forehead swastika engravings ensuring instant recognition: once a Nazi, always a Nazi. In fact, the Nazi scientist Werner von Braun was smuggled to America where he went on to work for NASA and was critical to their successful space missions while his assistant Helmut Gröttrup was captured by the Soviets and was of course dumped in a gulag (actually a sharashka, where Solzhenitsyn spent a few years too - the roman à clef The First Circle being a thinly disguised version). In this very complex cat and mouse game, Slothrop, with his secret (even to himself) powers can be more than instrumental - a fact all three governments can agree on!

...

The book has hundreds of characters, most of which have guest appearances only; but the most important one is Tyrone Slothrop whose misadventures we trace through a Pynchonian lens as he runs and moseys and waddles and stumbles and rolls and fucks across war torn Europe singing funny, vulgar, sometimes nonsensical songs, spotting danger a mile away and then plunging headlong into it, and in general, prompted by his increasingly intense paranoia, trying to run away from Those who are controlling him, yet quite powerless to rise above the supposed residual conditioning that compels him in ways he sometimes isn't even aware of.

Gravity's Rainbow is undoubtedly a quite staggering, overwhelmingly accomplished achievement written by someone possessing obscene, crushingly high intelligence. The fact that it was published in 1973 is enough to qualify the effort as nothing short of miraculous! It's long, complex, dense, hard, heavy, perverted, spectacularly funny, sickeningly transgressive, unapologetically scatophlic, brilliantly plotted, fantastically well written and in short, unbelievably brilliant. 

The only minor complaint, which NF would like to be subsumed in the sea of praise he hopes to inundate this "review" in, is the rather silly and sophomoric way in which Pynchon likes to use certain mathematical concepts - naming names like Hilbert Spaess, describing rocket trajectories in their constituent $\Delta x$s and $\Delta y$s and $\Delta t$s which don't add much to the text either in terms of comedy or in terms profundities. (Though truth be told, when, in a recent, somewhat upscale-ish party in The Brook, the subject of Pynchon was raised (...hence the adjective 'upscale-ish' for the party!) and NF whined about this so called irritant, the ever-so-suave Michael Budassi interrupted him mid-sentence to observe how (rather hypocritically) NF himself, in one of his ''Short Fictional Pieces'' named his protagonist "Limp Member"! However, instead of being somewhat embarrassed, the shameless NF quietly glowed golden for being featured in the same sentence as Thomas-fucking-Pynchon!) One may surmise that this anality about being not silly or flippant about mathy concepts comes from NF's being a worshipper at the altar of Greg Egan whose unapologetically hardcore science fiction sometimes is way too much for even specialists to follow. (His story Planck Drive, which NF read in a moving train going to Lucknow, accompanied by AK and SatyaVrat is one such piece. Another one is Schild's Ladder - which ladder is a construction in Differential Geometry - the reading of which has been postponed by NF until he can learn more about the said construction, completely ignorant as he is, about Differential Geometry.) But NF digresses...

The book is semi-science fictional - indeed it was nominated for the prestigious Nebula Award when it was published, but lost out to Arthur C Clarke's Rendezvous with Rama. The breathtaking erudition on rocket design, organic chemistry, psychological behavioralism, astrology (yes...the occult) and the deep knowledge the book exudes about German and Soviet history; and the way it weaves these into a complex whole, with a good deal of really funny slapstick comedy thrown in, is a mark of genius. The only reason NF thinks Pynchon will never be awarded the Nobel is because of his rather aggressive hostility to publicity or photography of any kind. Indeed the year the book got awarded the National Book Award, Pynchon refused to either show up or acknowledge it and in fact sent a goofy impersonator to give a random speech! No wonder the uptight Swedes, having balked at his stunt will probably refuse to honor him. The monarchs will probably not want the annual festivity being gatecrashed by an enterprising streaker.

Their loss though. They didn't give Gandhi a Nobel either.

Saturday, June 29, 2013

A Portrait of the Mathematician as Hattori Hanzō

Think of the mathematician as Hattori Hanzō - the master swordsman/swordmaker in Kill Bill masquerading as a sushi chef in Okinawa - as a maker of katanas that the Uma Thurmans of the world - the scientists and sometimes even engineers and economists - employ to slay the Crazy 88 - the far too numerous demons of hillbillyness and general intellectual destitution. But the analogy runs its course here. Much unlike the real, rather badass samurai, The Mathematician, at the prospect of an encounter with the Crazy 88 (or pretty much any part of the real world) will promptly let loose a warm loaf of wholesome turd in his pants and hide under the skirts of our Uma Thurmans.

Comparative Advantage lets loose upon this world some rather awkward superheroes.

Thursday, June 20, 2013

याद पिंचन की आने लगी...

करीब डेढ़-दो साल पहले, लगभग पाँच-छः महीने तक की कई नाकाम कोशिशों के बाद मैंने अंततः ग्रैविटीज़ रेनबो को शेल्फ पर एक गहरी साँस लेकर छोड़ दिया था। ऐसा नहीं था कि मुझे किताब पसंद नहीं आ रही थी, बात दरअसल यह थी कि आठ सौ पन्नों की यह भारी भरकम किताब अपनी प्रख्यात जटिलता के कारण जितने समय की माँग मुझसे कर रही थी, उतना वक़्त देना मेरे लिए उन दिनों में कुछ दुसाध्य सा काम हो गया था; और अपनी छः महीनों की लगातार विफलता के बाद इस किताब का ज़िक्र भर मुझे अवसादग्रस्त-सा कर देता था। इसलिए मैंने किताब को किनारे कर, अपनी कमियों को कुछ कोसते हुए, कुछ सीधा-सरल, तो कुछ लम्पट साहित्य पढ़ कर अपना दिल बहलाया और इस हार को अपने दिमाग से दूर खदेड़ा। (विलियम एच गैस की किताब 'द टनेल' के साथ, और सैमुएल डेलेनी की किताब 'ढालग्रेन' के साथ भी कुछ ऐसी ही मुँह की खाई मैंने! इस विषय में मैं पहले भी अपना दुखड़ा रो चुका हूँ: यहाँ और यहाँ।)

लेकिन पिछले हफ्ते जी कड़ा कर के मैंने फिर इस किताब पर निगाहें दौड़ाईं और फिर से इस गद्य के समंदर में साँस रोक के गोता लगा दिया है, ठीक वैसे, जैसे किताब का नायक एक कल्ट सीन में (जिसे डैनी बोएल ने अपनी ध्वंसात्मक फिल्म 'ट्रेनस्पौटिंग' में भी फिल्माया है) कमोड के अन्दर लगाता है। 

क्रिसी दो महीनों के लिए मुंबई में है और वक़्त की कुछ ख़ास कमी भी नहीं --- अभी नहीं, तो कभी नहीं!

Saturday, June 15, 2013

खूंटियों पर टंगे लोग

या दूसरे शब्दों में, सत्य साईं बाबा, ऑर्लैंडो के हाउस ऑफ़ ब्लूज़ में



कान के पीछे की भभूति से लेकर 
अमरीकी दीवारों की खूँटी तक
बाबा का मैजिक 
बाबा का मैजिक

वटवृक्षनुमा बाल से लेकर 
डिज़्नीवर्ल्ड की चाल तक 
बाबा का मैजिक 
बाबा का मैजिक 

Monday, June 03, 2013

Hacking the Life Away

A couple of months back, NF's veteran, geriatric HP laptop suffered a breathtaking four foot drop, fractured its hard disk and was declared comatose. This event led NF to buy a $250 Samsung Chromebook whose fan NF became right away, even as the old HP machine valiantly sputtered back to life with the aid of a new hard drive.

And then courtesy the ever wonderful Lifehacker, NF came to know about booting an Ubuntu distro alongside Chrome OS. It's not dual boot; you can toggle between Ubuntu and Chrome OS by pressing Ctrl+Alt+Shift+Back and Ctrl+Alt+Shift+Forward and unleash the full power of Ubuntu on your Chromebook in real time! See link here on Lifehacker and here on How-to-Geek.

It's been working like a dream. The next laptop NF ever plans to buy will be the Chromebook Pixel with a solid Ubuntu distro running alongside! 

Highly recommended!

Tuesday, May 21, 2013

15 मई 2013: मत्था टेक तमाशा देख

आज मई पंद्रह है। क्रिस्सी और मैं अपस्टेट की यात्रा कर रहे हैं। इस समय मैं औल्बनी की लाइब्रेरी में बैठा हूँ जो कई मायनों में स्टोनी ब्रुक की लाइब्रेरी से बेहतर है - ख़ास तौर से स्थापत्य कला के मामले में (जिसकी, हालांकि तनिक भी जानकारी मुझे नहीं है) ।

इससे कुछ समय पहले मैं बरबस ही औल्बनी के बुकस्टोर में टहलता हुआ पाया गया था। कुछ समय वहां बिताने के बाद और एक किताब खरीदने के बाद (जॉर्ज सौन्डर्स की "टेंथ ऑफ़ डिसेम्बर" - लगभग 29 डॉलरों की मुंहतोड़ चपत!) मैंने लाइब्रेरी का रुख किया।

औल्बनी का मेरे लिए एक और आकर्षण भी है: यहाँ का "न्यूयॉर्क स्टेट राइटर्स सेण्टर" जहाँ से अनेक सुप्रसिद्ध और ज़बरदस्त लेखकों का जुड़ाव रहा है (पॉल ऑस्टर, जॉर्ज सौन्डर्स, मनिल सूरी, सिरी हस्तवेट और मेरिलिन रोबिनसन उनमें से कुछ प्रख्यात नाम हैं)। लेखकों के इस अड्डे पर पहुँच कर उनमें से एक की किताब ना खरीदता, यह बात बुरी भले ही ना होती, एक अर्धसुशुप्त सा मलाल ज़रूर इधर-उधर से झांकता रहता (हालांकि तीस डॉलर का सौदा बड़ा महंगा पड़ा!)।

फिलहाल मैं यहाँ के राइटर सेण्टर का मुआयना करना जा रहा हूँ। कहते हैं तीर्थस्थल पर पहुँचने के बाद देवी के मंदिर में मत्था टेकना ज़रूरी होता है।

अपडेट: लिडिया डेविस, सुनी औल्बनी, प्रोफेसर, क्रिएटिव राइटिंग (रचनात्मक लेखन) को मैन बुकर अंतर्राष्ट्रीय पुरस्कार से नवाज़ा गया! 

Sunday, May 12, 2013

In Which Mochizuki Does a Perelman

By Caroline Chen, a very nicely written, very readable introduction to the latest rumors in the circles of mathematicians - the bona fide drama queens of academia. 

Basically the scoop goes something like this: Shinichi Mochizuki, a brilliant and impossibly accomplished mathematician, now at Kyoto University (his webpage is here) has claimed to have proved a very deep result in Mathematics: the abc conjecture; but he refuses to talk about it to anyone or 'go on tour' and explain his proofs to the others. The work on which he bases his proofs has been posted by him on the internet but runs through about five hundred pages in length; and so when the others ask him to explain, he shrugs and declines the invitation, which makes him look super cool and super emo at the same time. It was reported that Akshay Venkatesh and a grad student at Yale had then found some error which Mochizuki acknowledged but corrected and reposted soon with no apparent danger of being wrong in the bigger scheme of things.

Here's to hoping Mochizuki-san has really nailed it! NF's been wrong before about opening champagne bottles prematurely (the last time it was the P versus NP problem's supposed proof by Vinay Deolalikar) but perhaps this time he'll be luckier.


Wednesday, May 01, 2013

D

Dongri to Dubai, is a fast-paced, riveting read, narrating the rise and fall of Gangs of Mumbai since Indian independence and charting the rise of Dawood Ibrahim - the son of an honest, well respected police constable - as he destroys his competitors left, right and center to emerge as the superstar of the Mumbai mafia. The stories have a journalistic edge to them, the narrative pace never slackens and there is no dull moment at all in the tales of revenge, domination and territorial pissings of the mafia kingpins. In the meantime, the writer S Hussain Zaidi (a veteran crime reporter and the writer of Black Friday - the book on which Anurag Kashyap's fabulous film is based) also finds time to write about the old gangsters Haji Mastan (whose legendary fight with the goons on Bombay docks would go on to inspire moments of pure cinematic magic in Amitabh Bachchan's fight sequence in Deewar) and Varadarajan Mudaliar (on whose life the great Mani Ratnam directed Nayagan) and how their reign was supplanted by the cunning and muscle of Dawood.  The latter part about Dawood and Chhota Rajan and how their rift led to another intense underworld rivalry and especially the part about how the Indian intelligence agencies are allegedly propping up Rajan to take on Dawood's gang make for a delightful, exciting reading. It is easy to see how Vikram Chandra in his brilliant book Sacred Games, imbibes these stories generously and weaves them into a very satisfying coherent plot. (Chandra has written the foreword for the book and has, on numerous occasions spoken about Zaidi's invaluable help in writing Sacred Games.)

Now on to the irritating part. The standard of writing is pretty low and sentence construction is clumsy and lazy. The style is too hurried and there are many fact checking problems (RSS is claimed to be "Rashtriya Seva Sangh" ...(really?)) The chapters are not very well organized and there is often a propensity to just mention events without really documenting them. The current state of Mumbai mafia post Dawood's departure to Dubai and from there to Karachi, is not well explored either. In particular, we really don't seem to understand why from the casual shootouts during the '90s, Mumbai has suddenly become so tranquil, so much so, that it has earned the "safest city of India" moniker. The ending seems abrupt as well. A pity Zaidi doesn't seem to care for or display the literary skills of his close friend Vikram Chandra.

For those who, however, value information about the underworld and want to have a little historical peep into the mafia's workings (of a more voyeuristic nature albeit) this book is perfect. It's a wonderful afternoon time killer or as in the case of NF, the instrument that slayed the eternity that airports are. 

Recommended!

Monday, April 29, 2013

KALtoon



35 years of fabulous cartoons: KAL from The Economist. Please join the fan club! (Featuring a KAL cartoon of Indira Gandhi that got The Economist's edition featuring the cartoon banned in India!)


Sunday, April 28, 2013

Recent Acquisitions

  1. लाल तीन की छत (निर्मल वर्मा) (पुनः) (tr. Red Tin Roof (Nirmal Verma) (again))
  2. तिरिछ (उदय प्रकाश) (tr. Bent (Uday Prakash))
  3. और अंत में प्रार्थना (उदय प्रकाश) (tr. And in the End, Prayer (Uday Prakash))
  4. प्रतिनिधि कवितायें (केदारनाथ सिंह) (tr. Representative Poems (Kedarnath Singh))
  5. नेताजी कहिन (मनोहर श्याम जोशी) (tr. Sayeth Mr. Politician (Manohar Shyam Joshi))
  6. पत्थर अलपत्थर (उपेन्द्रनाथ अश्क) (tr. Stone Al-Patthar (???) (Upendranath Ashq))
  7. रसीदी टिकट (अमृता प्रीतम) (tr. Return Ticket (Amrita Preetam))
  8. Dongri to Dubai: Six Decades of the Mumbai Mafia (S Hussain Zaidi)
  9. अरेबा परेबा (उदय प्रकाश) (tr. Areba Pareba (???) (Uday Prakash))
  10. मोहन राकेश की यादगारी कहानियां (मोहन राकेश) (tr. Memorable Stories of Mohan Rakesh (Mohan Rakesh))
  11. Life & Times of Michael K (J M Coetzee)
  12. अग्नि और बरखा (गिरीश कर्नाड) (अनुवाद: रामगोपाल बजाज) (tr. Fire and Rain (Girish Karnad) (Translation: Ramgopal Bajaj))
  13. हयवदन (गिरीश कर्नाड) (अनुवाद: बी वी कारंत) (tr. Hayavadana (Girish Karnad) (Translation: B V Karanth))
  14. मोहन दास (उदय प्रकाश) (tr. Mohan Das (Uday Prakash))
  15. The Master of Petersburg (J M Coetzee)
  16. जलती झाड़ी (निर्मल वर्मा) (पुनः) (tr. Burning Bush (Nirmal Verma) (again))
  17. पीली छतरी वाली लड़की (उदय प्रकाश) (tr. The Girl With the Yellow Umbrella (Uday Prakash))
  18. Waiting for the Barbarians (J M Coetzee)
  19. खामोश! अदालत जारी है (विजय तेंदुलकर) (अनुवाद: सरोजिनी वर्मा) (tr. Silence! Court is in Session (Vijay Tendulkar) (Translation: Sarojini Verma))
  20. घासीराम कोतवाल (विजय तेंदुलकर) (अनुवाद: वसंत देव) (tr. Ghasiram Constable (Vijay Tendulkar) (Translation: Vasant Dev))
  21. तुगलक़ (गिरीश कर्नाड) (अनुवाद: बी वी कारंत) (tr. Tuglaq (Girish Karnad) (Translation: B V Karanth))
  22. काशी का अस्सी (काशीनाथ सिंह) (tr. Kashi's Assi (Ghat) (Kashinath Singh))
  23. दूसरा सप्तक (संपादक: अज्ञेय) (tr. Second Saptak (Editor: Agyeya))
  24. हर बारिश में (निर्मल वर्मा) (पुनः) (tr. In Every Rain (Nirmal Verma) (again))

Saturday, April 13, 2013

ऐसी भी क्या जल्दी है?


अब मैं सुराखों में 
और दरमियानों के ठहराव में 
जीना सीख गया हूँ,
मुफ़लिसी थामे है उंगली 
घूरे है सहमी, कातर नज़र से
जब कौंधे मन में ख़याल 
"झटको पल्ला,
उठ बैठो तुनक के
खदेड़ो दूर इस कुलच्छिनी की प्रेतछाया को"
हाथ टिकाये ठोड़ी पर,
सोचूँ मैं विस्मय से,
यारों से क्या कभी 
यूं बेमुरौवती करते हैं भला?

Translation:

Now, in the holes in walls
And in the stasis between moments
I have learnt how to live
Poverty clutches at my fingers
Stares with eyes awash in fear
When the thought strikes
"Spurn her company
Stand up and arrive
Chase away the unholy shadow of the skank"
Holding the chin in my hands
I wonder in amazement
Does one, with their friends
Be ever so heartless?

Wednesday, April 10, 2013

Lit Noir: When Dickens Met Dostoyevsky

Which he didn't...ever.

A long, literary detective story of the fake article that caused the hoax to be so persuasive - even to experts. Link: When Dickens met Dostoyevsky.

Do read it for its fabulous Borgesian twists and turns (whose works NF is currently devouring on his subway commutes). You will also be reminded of Benno von Archimboldi - the elusive fictional writer featured so prominently in Bolaño's 2666.

The meandering, somewhat long-winded article however, will appeal only to the literary minded and fans of either Dickens or Dostoyevsky or both. Be warned. 

Thursday, April 04, 2013

The Party Pooper

Readers are enjoined to read through the long, trenchant, scathing and fabulous piece Evgeny Morozov has penned about Tim O'Reilly (the internet/open source evangelist) : The Meme Hustler.

For those of you who are unaware of Morozov, he's the eternal skeptic of the power-of-the-internet 'cyber-utopians' (a term he's coined) pointing out that the effects of such technology is not necessarily simple and emancipatory; and so while Twitter and Facebook and other internet tools may aid civic protests, they also aid large scale repression in China, Russia and other more protest-unfriendly places. 

One can't but help notice the similarities between Morozov (who's only 27!) and the great documentarian Adam Curtis - for questioning deep ideological biases implicit even in the best technocratic proposals and for underlining how even the best technocratic intentions can be hijacked and turned into harrowing nightmares for common, unsuspecting people.

Do read it! His is a voice that needs to be heard.

Monday, March 11, 2013

निर्मलवर्मागीरी

पढ़ना आजकल केवल सबवे की ट्रेनों में हो पाता है। 1, ई. (E) और आर. (R) ट्रेनों पर अक्सर मैं मोहन राकेश, मनोहर श्याम जोशी या निर्मल वर्मा की किताबों के पन्नों पर ताकता हुआ दिखूंगा। पांडू और मेरा इसके लिए एक ख़ास नाम भी था: निर्मलवर्मागीरी। वैसे अगर हमें उस समय रोबर्तो बोलान्यो का नाम-पता मालूम होता, तो हम इसे बोलान्योगीरी की संज्ञा भी दे सकते थे। (वैसे अब जब इस बारे में सोचता हूँ तो लगता है कि निश्चित ही हम दोनों इस घुम्मकड़ लेखनी की प्रवृत्ति को बोलान्योगीरी ही कहते - निर्मल वर्मा के उदास, गहरे और आत्मा-हन्तारक रूप से दुखी कथानकों के बजाए हमें बोलान्यो की बकैती और पंक शैली (अमरीकी संगीत वाला पंक, भारतीय कमल नहीं!) अधिक जमती (वैसे भी उन दिनों हम पंक और ग्रंज संगीत के दीवाने हुए जा रहे थे!)) लेकिन नाम में ले दे के कुछ रखा है नहीं, इसीलिए मेरा इस प्रकार का व्यवहार निर्मलवर्मागीरी ही कहलायेगा।

इस बार घर से लौटने के समय प्रेमचंद के किताबों की  के गठरी के साथ मैं कई एक कविताओं के संग्रह भी उठा लाया - इनमें तारसप्तक और चाँद का मुंह टेढ़ा है जैसे प्रतिष्ठित संकलन तो थे ही, साथ में केदारनाथ सिंह, कुंवर नारायण, और गुलज़ार की कविताओं की किताबें भी थीं। (वैसे नामांकरण के बारे में पुनः सोचते हुए लगता है की मुक्तिबोध के बारे में भी ले दे के हम दोनों अनजान ही थे (शायद पांडू को अधिक मालूम था, लेकिन अपनी तरफ से मैं तो मुक्तिबोध का बस नाम ही जानता था - वो भी स्कूल के हिंदी सिलेबस के नाते) नहीं तो बकैती में मुक्तिबोध बोलान्यो से कुछ कम नहीं कहे जायेंगे!) 

सोचा था कि इस बार समय निकाल के कुछ अच्छी कविताओं का शौकिया अंग्रेज़ी अनुवाद करूंगा और ब्लॉग पे छाप डालूँगा। लेकिन आलस और आत्म-संशय के मारे (मनोहर श्याम जोशी के शब्द) कुछ ख़ास किया नहीं। अब जब ज़रा सा मौका मिला है तो सोचता हूँ कि शुरुआत करने में कोई बुराई नहीं है। इसलिए अपनी खुद की एक कविता का अनुवाद करता हूँ। वैसे ताज्जुब की बात है कि हालांकि कविताओं की कोई समझ बूझ नहीं है मुझमें, ये एक कविता जो लिखी थी पांडू के लिए (या फिर पांडू की एक तेजस्वी स्मृति के लिए) वह मुझे अभी तक पसंद है और इसे सुनने सुनाने में मुझे ज़रा भी शर्मिंदगी नहीं महसूस होती है। क्या जाने क्या कारण है? इसे इस ब्लॉग पे मैं पहले भी लिख चुका हूँ। यहाँ फिलहाल, उसे पुनः लिख कर अनुवाद पेश करता हूँ:



सोचा आज कि लिखूं 
एक टेस्टी तुम्हारी याद में 
याद उस दोपहर की उबासी की 
जब ब्रह्माण्ड तुम्हारे मुख में विलीन हो जाता था 
जब तिरछी पड़ती उस उदास धूप में 
तुम मुझे सत्य का दर्शन पढ़ाते थे 
और अँधेरे कोनों में जला कटा 
कुढ़े मन से 
एक साक्षर, सिनिकल सी मुस्कान लिए 
मैं, तुम्हारा प्रतिकार किया करता था 

जलता था मैं तुमसे 
जलता हूँ 
ताउम्र शायद जलता रहूँगा

अनुवाद:

Thought that I will write today
A testimonial in your memory
A memory of that idle afternoon
When the universe would dissolve in your mouth
When in the slanting shade of that sad sunlight
You would teach me the philosophy of truth
And in the dark corners unyielding
With a disgruntled mien
With an educated, cynical smile 
I would resist you

I was jealous of you
Am jealous
Lifelong perhaps, shall remain jealous 

Monday, February 25, 2013

Meanwhile, Dibakar Bannerjee is all Smiles

A stunning piece of reportage - Daniel Brook writes a lengthy, even meditative piece on the rise of a once great city and its current aspirations of world domination: Head of the Dragon: The Rise of New Shanghai.

Do read the brilliant essay. This is journalism as the way it should be.

Saturday, February 23, 2013

Ichi Kyu Hachi Yon

NF finished this book about a couple of weeks back and overall, it'll be fair to say that he has mixed feelings about it. For a twelve hundred page tome and for being the Murakami opus it's now made out to be, the book has surprisingly little to offer. The fantastic elements are unconvincing and do not add any real charm to the book. No real connections to the Orwellian 1984 either - symbollically, thematically, literarily or otherwise. One wonders why Murakami had to choose that particular year as the setting for this book, except for the multilingual pun that the title bears. Or perhaps Nanga Fakir didn't get the book at all!

However, during the latter half, the great master does oblige. Especially after the introduction of Ushikawa - that unctuous, ugly, unsympathetic yet supremely tragic and even heroic-in-his-own-way character. That is when Murakami veers into the Paul Auster territory - the hardboiled zone in which detectives are too smart for themselves and their endeavours - initially (very fruitfully) directed outwards at their unwitting objects of detection take a more inward turn and unmoor their own masters, as the boundaries between the watcher and the watched become blurred, as days and nights pile on each other, as all meaning is slowly sucked out and the private eye becomes one with the object of detection in an ascetic embrace. Not to say that Murakami is aping Auster here - far from it - in fact he's worked with such themes for a long time now and all these qualities made his older, more compact Sputnik Sweetheart a brilliant, fabulous read.

Do read this mammoth, for Murakami rescues the otherwise clunky parts in the last four hundred or so wonderfully written pages. A good book overall, but we know Murakami is capable of much, much greater feats.

Monday, February 18, 2013

The Winter Demographer

As B looked out the window, he could see the gentle, gradual descent of mid-sized snowflake-fractals. A mild breeze imparted a tiny drift to their motion and he looked long and leisurely at their languid floatation, their placid trajectories tracing out countless, random paths in the sky.

Time was in ample supply for the lone occupier of that cavernous building and idle objects of insignificant importance seem to trigger in him broodings of an indefinite character, the trajectories of which, much like the ones of their counterparts outside the window, had a free-floating, unencumbered, purposeless quality.

As his eyes lay transfixed at the scene unhurriedly unfolding outside the window, his mind wafted across from one point to another - an internal hidden semi Markov chain mimicking and exemplifying the abstract, similarly named processes he lectured on externally. He thought of impending calamities, brushed away distant memories of domestic strife, mused about lost opportunities, paths not taken, the soundlessness of solitude, the mild fragrance of loneliness and recursively thought about what he had been thinking about.

He let out a deep, almost involuntary sigh and got back to grading.